Conflict in Othello

Othello is a play which contains many conflicts between the characters. The main conflicts in ‘Othello’ are between friends and foes. Othello’s inner conflict, cultural and racial differences which lead to racial judgement and discrimination, to express these conflicts; Shakespeare uses many techniques such as soliloquies, dramatic irony, imagery foreshadowing and symbolism.
Amongst the main characters there are many conflicts, however the main reason for most of the conflict if Iago and Shakespeare use the techniques to show us how Iago causes the conflicts. This also analyzes Othello’s pride, his self conscious nature, his jealousy and his rash behaviour.
Conflict between the characters especially Iago and Othello is partly portrayed through the use of language devices such as imagery and metaphors animal imagery, sexual innuendo, irony and dramatic irony, repetition, classical and religious allusions. These devices are used to provide insight into the characters relationships, thematic concerns and a wide variety of alternatives reading. The metaphors and imagery portray how Iago despised Othello and the conflict to come between them.

Conflict is also presented through the Binary Opposition, which allowed the audience to see the change within the characters or between characters from one extreme to another. For example, we are able to follow the personal conflict and deterioration through the Binary Opposition of love and hatred as well as rational and emotional. This provides the audience to see how Othello transforms from a rational to an irrational man. Another example is the Binary Opposition of wisdom and foolishness which illustrates the conflict between Iago and Othello.
Other forms of conflict involved in this play are internal which includes hate and identity, external that consists of race, sex, gender and marriage. Adding on there is in international conflict with the Turks and Venice, racial conflict as Othello being the outsider, conflict within marriage which involves Desdemona and Othello as well as Iago and Emilia and filial conflict within the family with Desdemona and her father.


Othello study question

There are three mall reasons for why Ago hates Othello. The first being that Ago deeply believes that there used to be an affair between his wife Email and Othello. While there is no actual evidence to support the affair, the fact that Ago believes it happened supports the fact that he is very paranoid and might be searching for reasons to hate Othello. The second is that Othello denied Ago a promotion he believes he very much deserved.
The fact that Othello gives the promotion to Cassia is what leads Ago to take out revenge on both. The third (and most obvious reason to me) Is the simple fact that Othello Is a Moor (black) and Ago Is angry act the fact Othello has authority over him and is praised by the other characters. On line 1. 3. 322, Ago meant that we get to choose who we want to be and that whatever we nurture becomes our nature. Ago chose to warn Othello because he is two-faced and wants to remain on Othello side just long enough to take him down. . Line 1. 2. 60, spoken by Othello, means that neither Barbarian or Ordering had ever drawn there swords before. Othello is mocking them because they are both inexperienced and are pulling out shiny new swords against a great warrior. Act 2 1 . Ago (who we all know to be a sexist by now) Is very cynical towards females and views them all as meaningless. We can tell from way he treats his wife that he Is unappreciative of women. He Is also very critical and engrave towards all women, believing them to be nothing but deceptive.
On line Ago describes women as being “pictures out of doors, bells in your parlors, wildcats in your kitchens, saints in your injuries, devils being offended, Players in your housewife, and housewives in your beds” (all deceptive and unfaithful creatures). . Shakespeare reveals Sago’s true character through soliloquies because they give Ago a chance to actually be honest outside of his deceptive character in the main story.

This is where the dramatic irony of the drama comes from. Sago’s soliloquies also further the motif of the contrast between light and darkness (Ago revealing in his soliloquies the darkness of his heart matches the darkness of Othello skin, making them opposites Inside and out and how most of lagans evil plans are set Into motion at night, the physical representation of Sago’s Inner personality). All of this


What Continues to Make Othello Worthy of Study

William Shakespeare’s classic tragedy, ‘Othello’ written in approximately 1603, continues to be studied and appreciated even now in modern society, more than four hundred years after it was written. Apart from the obviousness of Shakespeare’s ability to use diction to draw in the audience, ‘Othello’ has many qualities which allow it to be interpreted and re-interpreted through time. It can relate to any audience and context because its varied themes, values and ideas, remain relevant to all societies making it possible for anyone to relate to ‘Othello’ on some level.
This, along with Shakespeare’s depiction of common human emotions, and his ability to portray these in such a realistic manner continues to make ‘Othello’ worthy of critical study. The universality of Shakespeare’s themes are evident not only in ‘Othello’ but in almost all of his works. The most apparent theme in the text is that of jealousy. Iago importantly warns, ‘O, beware, my lord, of Jealousy. It is the green-eyed monster which doth mock the meat it feeds on’ (act 3, scene 3).
This warning is directed at Othello, but is also important for Roderigo and Iago himself. Although Iago could be called one of the most diabolical antagonist/villains in literature, his actions are spurred by such common human emotions; jealousy and greed. Jealousy acts as a great literary device in the text because it is an extremely universal emotion which almost all living creatures are capable of feeling, and this gives the audience an emotional attachment to the characters and plot. It allows the audience to feel sympathy for the characters.

Othello’ plays with the jealous nature of the characters, such as Iago’s envy of power and position, along with his suspicions about his wife. These things encourage the plot, and initiate the series of events to unfold during the text. Through Iago, Shakespeare conveys the lengths to which a man will go to achieve his objective. Iago’s manipulativeness causes Othello to become a victim of unfounded jealousy, and this drives the entire plot. Furthermore, Iago’s hatred and jealousy is fueled by his racism.
The audience is constantly reminded of Othello’s colouring through the character’s dialogue, motives and actions. Shakespeare creates vulgar visual imagery with the metaphor, “Very now, an old black ram / Is tupping your white ewe. ” (act 1, scene 1) . Unfortunately, racism and prejudice are common throughout history as minorities and groups are deemed lower than others, and this continues still to this day. Division and stereotyping of groups due to race, sex, sexuality and ability have existed through the ages, and unfortunately will continue to exist.
Another discernible theme in ‘Othello’ is love. This emotion too is universal emotion, and the impulsiveness and compulsion to disobey family that love can generate is shown through Desdemona’s willingness to deliberately disobey her father in order to secretly marry Othello. Romance today is one of the most popular literary genres, and can be enjoyed by all ages, in all societies. Shakespeare’s ‘Othello’ has been adapted to suit modern society such as in the film ‘O’, and interpreted in different media, including dramatical performances, opera, ballet, television shows and films.
All of these provide different interpretations of the text and demonstrate the adaptability of ‘Othello’. Shakespeare’s poetic and beautiful language and his use of themes such as love, power, revenge, war and jealousy are timeless. His depiction of human ideas and paths of action are also timeless, as humans basic senses will remain the same. These factors, compounded with Shakespeare’s ability to continually challenge oncoming generations, both in the literature and dramatical sense, make ‘Othello’ timeless and worthy to continue to be studied in modern society and after.